This trip was out of no where and it was as much fun as it looks in this video. If you like trick skiing check out the mad hatter whip I take on the 8 Hours Notice road trip. Thanks Humanoid wakeboards.
Video edit and photo’s of myself taken by Trevor Bashir. Lifestyle and pic’s of Bob Sichel by I.
Jibtopia log cabin. Good morning Trevor. Jeff. This is a knife. I’ll stab ya. Bob the idea’s man pondering on some rum.
This was something I wanted to try as soon a Unit came out with this pool. I thought I would have to speed the cable up to do it. So I worked out the best time with OWC to do it. Early morning was the only time that would work for the park. As I was waking up riding into the pool gap. I quickly realized that I couldn’t use my edge to get speed because soon as I edged I would be out of line with the rail I was trying to land on. So I had the operator speed the cable up to 49k. It felt fast and I was out of control for a lot of the hits. After many slams the first morning of trying it I made one front board on the kink rail. I new it was possible to 270 it so I talked the guys at OWC into letting us come back and try it again. The second morning of trying it I felt way more commutable with the speed and how hard to push off the take off. I had a few where I was winding the windows down and not really locking into the rail. The cable was about to open so I got the 1 more call from the boys and everything camp together on my last hit. I was stoked as you can see by my uncontrollable fist pump at the end haha. Would of been way cooler if I didn’t clam it but I was just that stoked.
Bob Sichel, Trevor Bashir and myself received a call from the Humanoid crew asking if we could do a last minute road trip to Hexagon, Jibtopia and Terminus wake park last fall. Of cores we were down. Riding new spots and road trips with mates is what we live for. Mark Rugala showed us some good ol’ fashion North Carolina hospitality along with some riding and parting too. Enjoy part one. I’m guessing my footage is in part two.
Thanks: Hexagon, Jibtopia, Terminus, Mark Rugala, Robert Norman, Matt “Hotsauce”, Jeff Mathis, John Bemis, The Hamricks for making this trip awesome.
I had the opportunity to work on a Alliance edit in 2013. In the past the guys filming for Alliance would give you maybe an hour of their time and use everything and anything that they shot of you. For me it always felt like I was riding just so the filmer could get enough footage to put another edit out and get paid. Regardless of whether I was stoked on it or not, nec minuet there’s footage of me having a shit ride on Alliance. 2013 this all changed with Spencer Noris coming on board with Alliance. Spencer came to me about doing an edit when I first got to Orlando in March. I was stoked that he wanted to make something I would be happy with. We only filmed a couple sessions but when we did Spencer was dedicated to getting the best clips possible. The first film session we did was a morning at OWC. We did some gopro laps and then Spence jumped on his red cam and we went from obstacle to obstacle. It was hot and I was trying to get the tricks I wanted perfect. After a little over an hours I remember asking Spencer if he was ok with still filming because it had been so long. Spencer replied in a stoked manner, go as long as you want. I’ll sit here till your happy with it mans. Thankfully not long after that I got the last trick I want to do. From that first session I knew that this edit was going to be something I’d be happy with. We packed up and planned out another shoot to get some boat footage. I had a good boat set the next time we filmed and the filming for edit was done. I’ve worked on more full length parts them most through my carrier and it’s funny how you just know if it’s going to be a good part/edit etc. As a rider you pick up on a filmers love for the sport and your riding vibes off that. Spencer brings good vides and dedication. That’s probably why he was responsible for some of the best web edits we have seen to date in 2013. I like filming because it’s the best way to work on your style. There isn’t a better way to better your style then film. But it’s a team effort and a lot of the time the combination of personality’s and visions can clash creating a working environment that just won’t produce a good end result. This was not the case at all when filming with Spencer Norris. Check out the left over footage from Spencer’s work with many rides in 2013.
Grateful to have worked with Spencer and so many amazing talented filmer’s over the years. Kids find your crew and get filming. It the best thing you can do for your riding.
This was a random trip Trever, Bob and myself took after we got a call from Humanoid. Eight hours later we were on the road to Hexagon, Jiptopia, and Terminus for a day or two of riding at each park.
Photo’s by Chris O’Shea unless otherwise noted. Images not to be reposted or used without permission. Thanks and enjoy.
This year Mitch Langfield and myself set out with a goal to travel around the globe riding our water boards and documenting all the highs, lows and everything in between. Mitch has had the idea for this project for some time and as it comes together, you can expect to see some teasers featured on TheblueCircle vimeo page . We kicked this world tour movie off with a trip to Europe. Mitch planned out a 2 month trip though France, Spain, Germany, Austria, Holland and Denmark, with the intent to ride as many cables and winch spots we could. As well as getting a few contest done along the way, Fise, Wake The Line and Wake Of Steal. I couldn’t do whole 2 month so I bailed after Germany. Fise was the first contest, so we decided to hit up TNG cable in France. TNG is based in the little town called L’isle Jourdan. Aaron Gunn showed up on the 2nd day we were their and had no solid game plan for his time in Europe. Mitch: “So Aaron you want to travel with us and film for the new vid were doing?” Aaron: “I’ve got no plans I’m down.” Mitch: “Sick we got a grommet to help man a camera.” Easy as that. A few lessons on the camera and he was good to go. Having an extra hand to help film has been huge, along with having the opportunity to work with Aaron on a full part. We had a couple of fun GoPro set’s one day and Aaron had the stoke meter working overtime. It’s really fun seeing the dudes progression curve.
The cable was open from around 1 to 8pm. We were stoked to film in the afternoon light because it was cold most days. Most days were overcast but we scored a couple of good days. There was a legit step down pipe rail that everyone was stoked to get a few hits on film. It was cool seeing all the locals rides. They all ripped and I think it’s because they have legit rails to learn on making them better riders. In no time we were friends with the local crew that kicked it on the bank all day riding the park, drinking beers and having a good time. The common ground though wakeboarding was there even though we didn’t talk a lick of French. They had some sick winch spots and took us to one down the road that was a 12 foot drop. It was hard work getting the rope back each time but Mitch and I went for it and got some cool photo’s and video out of it. Making it worth the pain haha.
Other then riding our faces off everyday we spent time skating around the little town. Most of the time it felt like a gohst town. For the fist 4 days in town I think I saw a total of 20 people and they were all over the age of 70. It was like a little retirement village that had a dope cable down the road. The shops would be closed most of the time and it seemed a slow pace life. Until the weekend when there was a market. All of a sudden there were people everywhere with there little stores set up along the street almost like people from all over come to the town on sunday to get there things for the week and then disappear for another week. I found the food a little strange. The town is know for there Duck. Duck liver fat spreads on bread was a given at restraints, and raw mince meat was a delicacy. We’d eat Chocolate croissants everyday for breaky, best croissants in the world but after about 20 that week, croissants got old. Most nights you couldn’t find anything to eat after 6 and we would still be riding. So we had to skate about 3 kilometers out of town to Mc Donald’s most nights. It was a supper sick skate with some big hills to bomb. Thanks to all the locals that let us have run of the park and do what ever we wanted. I suggest going and checking out TNG if your in France and like to ride. It’s about an hour out of Toulouse.
Toulouse, Train station.
Around town, L’lise Jourdain Mitch morning coffeeMr Gunn. ghost town
Mitch, Japan TNG.
Mustash ride.Local crew.Market day. L’lise JourdainMitch Winching
After logging some rad clips we hit the road to Montpellier for the contest Fise. The most intense contest I’ve ever been to. But not in a way that all the Athletes are getting supper competitive and egotistic (that happens in some country’s), more like thousands of drunk French people running around screaming there heads off for 5 days. Everyone got to ride the course a fair bit before the event. Actually, after the qualifying round we got to practice. It’s all a bit backwards but it’s a hell of a time. We made the most of the setup they had made for us to ride and got some footage while free riding the course for a couple of days. The safety factor wasn’t applied to this course and why would it be. There were no rules anywhere it seemed. It was like being at a old school core bowl event where everyone is partying and shredding. It was sick! The Australian bar was our home for the 5 day event.
Windsor & Manu
Dom Hernler WindsorAntoni van der WekkenHotel party. NicoShaneDan sending it. Around Montpellier
I’d be lying if I said it was a bummer the event had to end. After 5 days of good times we took a rough train ride to Barcelona. Shane Bonifay joined us which is always good when your feeling under the weather. Shane is the best story teller I know. Story time with Shane all the way to Barcelona helped ease the pain from the 5 day madness. With the understanding that we had a winch to use in Barcelona we were all stoked to get some unique stuff done. Mitch had been there the year before and knew it was a gold mine for rad winch spots. We rocked up to a sick 2.0 that is on the ocean and had a little shred. The crew with the winch informed us that the winch had just broke. That killed our plans pretty fast. Then the rain and crazy winds set in for the next 4 days. It was a bust but we made the most of the city. Skating from bar to bar, ordering tapas and beers. Shane shared his standup comedy act he wants to perform one day. He’s got some gold.
Skate spot Beers and Tapas Shane
Handbags for sale in the subway. Chris O Photo’s Aaron Gunn Aaron Mitch Wheel bite. Mitch down.
After 4 days of good times, it was time to get back on the train again to Germany for Wake The Line. I was stoked to go to this contest after watching it live on the internet for the past few years. It’s a unique course set up in 2 Olympic size swimming pools. After the first practice run you realize that riding here is completely different to anything else. You have to land everything clear or you wont be setup for the next rail hit. Or worse you could skip out of the pool and land on the concert. Practice wasn’t going well for me and I was feeling sick in the cold weather. Not seeing a winter in 11 years will make you sensitive to the cold. First head to head heat I was out. The guys who had been riding the event for years looked the most comfortable. Mitch killed it and made it to the final 6. Brenton was there and he won the Quarter pipe event. It was rad seeing the homies kill it. Shane & Chris O Waiting for the train. Photo Mitch Henshaw Stephen Wallet getting limber. Kasen Rossi Dom stalin Raph Shane CrewBP Mitch
BP Shane Watson Mitch
Last stop was The Bricks. All the rails are made of Brick. Hence the name. It was cold but that’s Germany from my understanding. Beautiful country side and awesome people, but brutally cold. Maybe not that cold, but for me it was. The Bricks is owned by a really nice family that looked after us better then we could of ever expect. We had full access to the park every morning before it opened. Mark Rossiter and Manu Rupp spent the week riding with us. Riding rails made of brick is sick because there so solid and don’t move when you land on them. We added on a little gate onto some of the rails there and everyone got some rad clips, except for Aaron who pissed off to England to get nothing done. The last nights, Lucas took us out to a place called The Castle. The Castle was a castle. The place was a blast. Every room was like being in a different bar. They had the rock room, the metal room, the DJ room etc. A place that all walks of life were partying. We thrashed the Metal and rock room all night,then it was time for me to
The BricksManu RossiMitch
The Bricks family. Mr Suess on the BBQ
Chris O first light Photo’s Mitch. Lukas
It’s an exciting time for myself and the team at Humanoid Wakeboard’s. This year, Humanoid set up their own custom factory in Orlando Florida. Having the factory so close to where we all live, brings new opportunities for product testing and building boards to the highest standard. For the last year I’ve been working on my first pro model board with Kyle Schmidt and the team. I couldn’t of had a better opportunity to really create a board I love to ride. I remember the first thing Kyle said to me about doing the board, ‘Chris I’m just here to mold the board you want to ride’. So I railed off all the things I wanted out of this board, 6 fins, fast edging, aggressive pop, soft landing, 144 size, rocker line etc. So after going through the start up process and what features I wanted, Kyle went to work on a 3d cad design that really showed me how the board would look. From there we tweaked it and started prototyping. The first board came out really fun but was a little flat. I really wanted a board that had a lot of rocker but stayed really fast on the water. The double belly and channels in this board keep it fast even with lots of rocker in the board. I like a board that tracks and holds a strong edge, making it a good board for beginners as well because it really makes you hold your edge all the way to the top of the wake. The interesting thing about the rocker is we kept under cooking the amount of rocker we wanted in the board. So kyle made one with more then 3 inch’s of rocker because we kept coming short of 3 inch’s which was the goal. To my surprise the board worked the way I wanted it with over 3 inch’s of rocker in it. All that rocker really made the board land a lot softer and have a great release off the wake.
With the factory being 30 mins away from my house, I was able to go make my board with Kyle and then go ride it that day. There’s something special about creating a beautiful board and then taking it out for a ride. It’s poetic and makes every carve more powerful then the next.
For information on Humanoid Wakeboard’s go to humanoidwake.com.
Photo’s: Adam Aslanian, Trevor Bashir and myself. Enjoy.
Thanks Wake Journal. Photo: Joey Meddock.
This is a fun edit that our buddy Ben Howl put together for Union magazine. It’s mostly cool lifestyle shots and throw away footage because Ben is saving all the bangers for his new movie Waffle House. We had a ball as you can see. Enjoy.
This edit came together pretty natural. Over the Australian and US summer I had my friend hold my camera every now and again. After about 6 months we had the footage you see in this edit below. Josh Robinson has been somebody that I have worked with on edits for a long time. I found this song on youtube one day and was pumped on it and had a rough idea of how the edit will come together when I went to Josh. As always Josh we above and beyond and put it all together better then expected. Thanks everyone that helped along the way. Your names are in the edit. Grateful for all the rad people and times that this sport has given me. Enjoy Summer Trails till next time. Stoked!
A few pic’s from JibTopia during the latest Humanoid trip to North Carolina.
Stoked on all the new Humanoid product. Check out the new range it’s dope.
Follow to release its much anticipated 3rd range worldwide. Melbourne, Australia August 8th 2014.
After extensive development by the team, Follow’s much anticipated 3rd range is due to be released on August the 8th.
“We have developed our range, welcomed new members and expanded our horizons. We have grown stronger, more determined and passionate by broadening into the international European and U.S markets. Stepping it up on all fronts. We have put together a selected team that not only push the sport as freeriders but project the sport how we think it should be portrayed.” said company director Steve Anderson.
Follow’s whole direction is about family and supporting the riders that are pushing wakeboarding day in day out. “Sometimes less is more; we use this concept with our product. Better materials, unique style and product that the best riders in the world are proud to put their name on.
We are proud to call our riders family” said Steve.
Follow is now looking for new retailers and distributors worldwide and will be attending surf expo in Orlando Florida with the new range. If you’d like to carry Follow in your store and support a brand that is helping to push wakeboarding further please contact Steve Anderson to book an appointment at email@example.com
Ben and some of the Remote crew were out in Oz last summer. Winching up and down the east coast. I had the opportunity to meet up with the boys at Robina gap on the Gold coast. Ben stopped this kick flip down the biggest drop I’d seen someone wakeskate in person.
Ben Howells from Pilchard Production has released a teaser for his up and coming movie, Waffle House. Moving to Australia from his home in England last summer. Ben spent some of his days at cable parks around the country. With a Natural eye for filming and footage from all over the globe. Waffle house is something to look forward to. Check out the Teaser and a few pic’s I’ve taken along the way.
Ben at work.
On the way to TNG cable in France. Chris O’Shea, Streets of L’isle Jourdan, France. Photo: Mitch Langfield
Mitch Langfield, France
Mitch Langfield, TNG, France.
Chris O’Shea, Australia, Pic, Josh Robinson.
Aaron Gunn, Penrith cables Australia.
Winching with Mr Gunn.
Sophie Hogben, Penrith Cable, Australia.
Today is the launch of the new Dublu website. http://www.dublu.com.au/index.php
A lifestyle, art, and fashion brand brought to you by Mark “Turtle” McNamara. Mark’s name is imbedded into the Australian Wakeboard industry, being one of the first Australians to go to the US and land professional board deals. Mark is a good friend who is one of those people that I cant spend enough time with. The more you hang with him, the more inspired you get in all aspects of life. Turtle is a deep soul that has been patiently working on the launch of his new brand Dublu. For the fast few years he has been printing his art work onto T-Shirts and clothing, and selling them to friends out of the back of his Van. There is something rad about his original peaces of art. Go check out his new website and show Dublu some love. http://www.dublu.com.au/index.php.
Garrett Cortese has recently been creating a photography portfolio on Facebook https://www.facebook.com/garrettcortesephotography. He has been documenting the sport for over 10 years, and what a progressive time the last decade of wakeboarding and wakeskating has been. Garrett, the current editor if Alliance Magazine, has always brought fresh content and articles that myself and many other have enjoyed reading for years. Garrett is so humble about his work and isn’t one to blow smoke up his own ….. I realized that after all the years of him sending me questions about my life that I had never sent him any questions. So I sent him some and he replied like the legend he is. Enjoy getting to know Garrett better and stay tuned to his FB portfolio..
How did a camera land in you hands and become your passion?
I remember being a kid and always enjoying taking pictures on family vacations and stuff. My dad had an old Konica SLR from the ’60′s that he taught me how to use when I was probably 12 or 13. When I started subscribing to magazines like Powder and WakeBoarding back in ’95ish is when I really wanted to pursue photography. You know how some kids rip out photos of their favorite riders to put on their walls? I didn’t care who the rider was, I was ripping out the photos I thought looked the coolest, haha. I was basically one of those kids that had an idea of what I wanted to do very early on and it sort of worked out. Literally in my high school yearbooks there are notes from my friends saying one day your name will be in the corner of photos in WakeBoarding magazine… Persistence, preparation, and luck can be a good combo, I guess.
Was it a goal from day one to become a full time photographer?
I always wanted to focus on photography, but I wanted to be able to write and do other things for a magazine, too. I remember seeing articles in magazines that said “words and photos by…” and I thought that was the coolest thing ever. I’ve really enjoyed being able to be more hands on with Alliance, rather than just getting an assignment and shooting it. I really like coming up with a plan for an issue, working with writers and photographers to make it happen, and getting to shoot on my own, as well.
How did your Job with Alliance Magazine come about?
In 2002 I had just finished my second year of college and was heading home to California for summer break. The student newspaper at my college was cool enough, or maybe dumb enough, to loan me some of its cool equipment. It was a nice Canon digital SLR and a couple pro level lenses. Every time I went riding with my buddies I would try to take really good looking photos of them. I even bought one of those EWA-Marine plastic bag water housings so I could try to shoot from a tube. After a while I decided to try to send some pictures to Bill and Tony at Alliance and see if they would give me the time of day. They were really cool and receptive to me sending stuff in, I was one of the first photographers to send them all digital files and we had conversations about the quality of digital files back then and how to best handle them for print and stuff. I was able to meet Bill at a Malibu Open contest in Sacramento and he introduced me to some of the pros on the Delta at the time – Josh Smith, Rich Facciano, etc. The next weekend I met up with those guys and Ricky Gonzalez and did a shoot. One of the shots of Rich ended up running as a spread in Alliance and that was my foot in the door. For the next few summers I would come home to Nor-Cal and shoot as much as possible and send stuff into the mags. The industry is pretty small so I started to meet people fairly quickly, especially riders on the West Coast like Mike Schwenne, Aaron Aubrey, Kyle Murphy, Derek Cook, the Ennen brothers, Cody Ramsey, and others. Right after I graduated in 2004 I was able to go on a six week RV road trip all over the Northwest and was able to write and partially shoot two full length articles for Alliance out of it. I think that proved to them at the time that I could shoot photos, write stories, manage myself on the road, etc. I was hired full time in 2005 and moved to Orlando in June of that year.
You shoot more Silhouette’s then I’ve seen from any other photographer in wake. Tell us about your love for silhouette shots?
I don’t know what it is exactly about silhouette shots, but I’ve always loved them. I can’t help it, I think I’m addicted, haha! I was looking through some of my stuff the other day doing some spring cleaning and I came across an old print I have of my dad water skiing on Lake Shasta. My mom took this picture of him back in the early 80′s during one of our family houseboat vacations there. When I saw this picture in the family photo album as a kid I remember thinking how cool it looked. I’d seen my dad water skiing my whole life, but I’d never seen it look like that. You could take that photo and plug it into any time period of water skiing and it would still fit – it’s timeless. That picture is probably why I love shooting into the sun so much – it’s been burned into my personal vision of what I think looks cool.
I think the combination of a good sunset with water and spray lit up just has this magical quality. Water and light can interact in so many cool ways that it is always fun for me to shoot into the sun to see what I can get. When I see a good sunset taking place, or if the direct sun is killed by some clouds, I’ll make some adjustments and try to shoot silhouette shots. Good backlit photos just have this timeless quality to them. Take a look at these two photos I took, one of Gordon Harrison doing a melan 3 and one of Jeff McKee doing a melan half cab roll. Almost identical pictures in terms of framing, focal length, etc. The shot of Gordon is a solid one, no doubt. Good grab, good light and color, clean background, etc. But the shot of Jeff is on a different level, in my opinion. If we had been going the other way, away from the sun, I don’t think it would be a very good picture, but being backlit adds a different dynamic that really makes it pop.
Silhouette photos can definitely get played out, but so can any other type of photo: fisheye, flash/strobe, etc. You just have to use the technique in moderation. I try not to run too many in one issue of the mag so the look doesn’t overwhelm readers, and in the wake section of my website/portfolio I tried to keep my selections of silhouette photos as diverse as possible. But I don’t ever see myself coming to a point where I’m tired of looking at or shooting backlit photos.
If you had 2 lakes and two riders but could only shoot one. Would you pick to go shoot wakeskating or wakeboarding?
Depends on what I shot the day before, haha! Having grown up wakeboarding and gotten into professional photography through wakeboarding, I’m always somewhat partial to that – I love seeing guys go big. But I love shooting wakeskating just as much, especially so over the past few years as guys have built some awesome setups in their own yards. I told Reed the other day that I don’t care how tired people say they are of seeing photos of Battle Falls, I’ll never get tired of shooting there, haha. And there is something totally raw and awesome about just seeing what you can find and trying to make something cool and unique out of it. So I’m not sure if I could pick one over the other, I’m at a point where I really just love being out with my camera and documenting what the rider(s) are doing. I guess whatever crew I didn’t go with I would just loan them a couple GoPros and tell them to go to work, hahaha!
Top 5 Wakeskater and wakeboarder to capture in your time as a photographer.
This is so hard, I’ve had so much fun shooting so many guys over the years. In no particular order…
- Aaron Aubrey. I first shot with him on Lake Shasta in May of 2003 and he blew me away. I was still somewhat new to shooting with pro level riders and I’d never seen anybody ride as fast or as long of a line as Aaron. He charged into the flats with a snowboard style that I really related to, doing big wrapped spins and holding the grabs forever, or doing double grab 5′s. We ended up hitting it off and became really good friends, getting together as often as possible all over Nor-Cal to do shoots.
- Keith Lyman. When I first moved to Orlando one guy that I was really excited to photograph was Keith Lyman. I’d seen all of his video sections and me and my friends just thought he was on a different level. I had met him once or twice at a couple contests on the west coast, but I’d never been able to shoot with him. As fate would have it he was actually the guy who picked me up from the airport when I first moved to Orlando. Tony Smith couldn’t grab me and he needed a sequence of Keith for the upcoming issue of Alliance, so he arranged for Keith to pick me up so we could go out and shoot. Keith’s riding was even better in person than it was on video. Everything wasn’t just big, but it looked effortless. In my opinion his combination of amplitude, style, and flow we’re second to none. He and I also became good friends and did a lot of shoots together over the years. I always looked forward to getting out on the water with him.
- Ben Greenwood. So controlled and precise, so much style. Even if I was having an off day shooting I could still get an awesome photo of Benny G. All of his tricks had these moments that looked awesome in still photos. I remember the first time I shot with him was for his Rider of the Year interview in Alliance. We needed to get a sequence of his toeside mute poke 7. He did a couple and I had never seen a 7 done like that before with that long of a grab and that kind of poke. It was signature Benny G and I was lucky enough to shoot with him a lot over the years.
- Jeff McKee. The first time I met and shot with Jeff was a month or so after I had moved to Orlando. I met him at the boat dock on Rollins College, got on a tube, and started shooting. I remember thinking right away, “Damn, this guy has some rad style.” Jeff had been around the sport for a long time and I remembered seeing his name in the mags a bunch, but at that point he wasn’t getting as much coverage because he was full time in college. Obviously we hit it off after that and I ended up moving into his place and living with him for almost five years. Jeff has always had a really relaxed style that just flows and is fun to shoot. Getting to be there firsthand as he continued to progress his riding was cool, too. He might not go big like Lyman or have some of the technical tricks like some of the kids these days, but I’ve always enjoyed shooting with Jeff because I know I’m always going to get something good for print and I’m going to have fun doing it.
- Delta Force (Derek Cook, Trever Maur, Josh Twelker, Mike Schwenne)
I have to lump these guys together. Having “grown up” shooting with Cook and Schwenne and then getting to watch the progression of young bucks like Trever and Twelker, I am definitely partial to shooting with anybody in the Delta Force crew. Seeing Cook still push it and really emerge as a front-runner in the style-based freeride aspect of the sport the past couple years is awesome. Most guys in Derek’s situation wouldn’t be doing what he’s doing at 31 years old, but he’s killing it and it gets me totally stoked to see new photos or video of him (or to shoot him myself). Josh and Trever have turned into such rad riders over the years. I remember when they were groms and thinking that maybe they could get some coverage and make a little noise… Look at them now, scoring covers and riding in ways that makes a lot of other top pros say “Damn, how’d they do that?” All of these guys have their own unique style and they all push themselves and each other to keep progressing – it’s fun to shoot and I think it’s good for the sport.
- Reed Hansen. I’m not sure if there is a harder working guy in wake than Reed Hansen. Not just working on his own craft and his own riding, but going out and building everything he has built, using his Bobcat skills to help grow and push the sport. I’ve gotten to shoot with Reed a lot since moving to Orlando and I might have more portfolio quality shots of him than any other rider, wakeboard or wakeskate. He’s so good at so many different things, it’s fun to shoot with him because you can try all sorts of stuff and know you’ll get something. Even if he doesn’t get it at first, he’ll keep working until he does. Plus, he’s just an awesome kid to be around.
- Aaron Reed. What can you say about Aaron Reed that hasn’t already been said? Aside from being one of the best wakeskaters ever and a legend in his own right, Aaron is also one of the best guys to be around. We will forever be linked by our cross-country trip in the Armada while filming for the Alliance video Innuendo.
- Danny Hampson. Danny’s style is so unique you can spot it a mile away. It’s crazy to think about how young Danny still is and how long he’s been in the sport. He’s done so much for wakeskating and he still has a ton to give. His self-deprecating sense of humor is also priceless.
- Dieter Humpsch. The bru from South Africa. I actually got to meet Dieter in South Africa when I went over with part of the Oakley crew while they were filming Push Process. He moved to Orlando a year or so later and I was blown away by how good he could make wakeskating look, especially for being a bigger guy. It looks effortless – and I still believe his indy backside 180 behind a boat is better than most wakeboarders’. Just don’t let him buffalo you at a party…
- Any members of the Remote team in the van. If you’re looking for an awesome, hilarious, down-and-really-dirty, fly-by-the-seat-of-your-pants adventure, just get in the Remote van with some of those guys for a week or so. They all shred, they’re all unique in their own way, and they all have an awesome time together and are down for trying anything.
Describe you ideal trip, Crew, Place etc?
My ideal trip is with a crew of guys who don’t mind getting up early or staying out late to get the good shots. I’ve been fortunate enough to travel all over the world the last ten years or so and I’ve come to realize that it doesn’t matter where a trip is in order for it to be successful. What matters is the crew on the trip. I believe you can take unique shots anywhere you go. Having a good crew that’s down to try stuff and not selfish about who gets what shot or whatever is what matters.
People and things that inspire your photography.
Too many to list. I love looking at all kinds of photos, from other action sports to mainstream sports, to journalism, to studio and portrait work. Being a photo editor for Alliance over the years has allowed me to look over some amazing photos from all of the photographers in our sport and I can honestly say that I think wakeboarding and wakeskating has some of the most talented shooters per capita of any sport out there. When you think about how small wakeboarding and wakeskating are on a professional level compared to other action sports and you look at the quality of work coming from all of the wake photographers today: Josh Letchworth, Bryan Soderlind, Rodrigo Donoso, Jason Lee, Joey Meddock, Bill Doster, Spencer Smith, Aaron Katen, Chris Garrison, Thomas Gustafson, Ian Reid, Ryan Taylor, and on, and on, it’s pretty insane. All of those guys and their work definitely inspire me to push my personal vision and how I approach photographing wakeboarding and wakeskating. And if it wasn’t for some of the OG photographers shooting wakeboarding back when I was kid, whose photos I was ripping out of magazines to put on my walls, I wouldn’t be doing this today – guys like Tom King, Doug DuKane, Rob Gracie, Matt Maloy, Trey Tomsik, and of course Letchy, Joey, and Doster.
If you were a pro wakeboarder who would you want to be and why?
I’m probably partial because I lived with him for almost five years and we were practically common-law marriage material, but Jeff McKee has it pretty good in terms of being a pro wakeboarder. He isn’t required to compete in any events other than a couple for Nautique, he gets to travel all over and just ride however he wants. Plus he’s in a band and has a motorcycle. I’d like to say I helped him have an awesome career because I was an editor and photographer living with him for five years… so you’re welcome, Jeff… hahaha! Just kidding, Jeff kills it and is an awesome guy, with or without media coverage.
Please pick 1 or 2 of your favorite shots and tell us a story?
This photo of Raph Derome was taken for the cover of the 100th issue of Alliance (April, 2012). We knew the issue was going to be larger format than our normal issues and we knew we wanted something truly unique. Enter Raph. What I love about this photo is how involved I was in the process and what it took to make it happen. Raph was on a really tight schedule and originally wanted to build something like a rail up against a wall (which he later did in his insane web video last year), but it wasn’t working out. I ended up reaching out to Reed Hansen to see if we could use his lake and some of his stuff to come up with something cool and different. Credit to Reed because he had never even met Raph before but he was totally game and he came through huge. He wasn’t getting any photos or anything from working on this, but he is just down to help no matter what.
When the three of us met at Reed’s house Raph mentioned he had always wanted to try to set up a chain really tight and slide it. Reed just replied, “Well I’ve got the chain to lock my Bobcat down to its trailer and some old 4×4′s, let’s make something happen.” After a failed first attempt (we couldn’t get the chain to stay tight enough and it eventually broke loose, almost sending Raph straight into the 4×4 post), we devised a system that totally worked and Raph went to town. He seriously must have ollied onto the chain 25 or 30 times so I could shoot it as many ways as possible – straight on with a long lens, from the side with a wide lens, silhouette, with strobes, etc, etc. It might not look sketchy in the photo that ended up being the cover, but it was one of the craziest things I’ve ever seen on a wakeboard. Ollieing onto a chain at 18-20 MPH at just the right angle so you don’t kill yourself on the post at the far end takes some serious skill and Raph never missed. In the end we went with this backlit shot as the cover because it has the great sunset and colors to make the photo pop, and the links of chain backlit by the sun just look crazy. It’s a classic looking photo with an element of “what the hell is going on here?” in it and I think it’s pretty awesome. Spending a couple days with just Reed and Raph to build this setup and make the photo happen was a lot of fun. We didn’t have any other help and we were totally stoked when we were able to look at the shots that night.
Coming from a documentary/journalism background, the non-action photos are just as important – sometimes more important – than the action photos. This photo was taken in spring of 2007 at The Carnival, an all rails contest at The Projects – a contest that hadn’t been held in years. 2007 was Parks’ comeback year from his really bad knee infection when he was off the water for a year, maybe more, and some doctors didn’t know if he would ride again. The Alliance team was in the middle of working on the Parks Documentary with PB, so we knew all that he’d gone through. Right before The Carnival I went to Tahiti with Parks, Danny Harf, and Keith Kipp and Russell Spencer from AVE to shoot the guys towing in at Teahupoo. It was an epic trip and it was so great to see Parks back on a board and not just ripping, but ripping at one of the gnarliest waves in the world. The Carnival was Parks’ first contest back after his knee surgeries and rehab and he was in rare form. After his final run when it was apparent he’d won, Byerly came over to celebrate with him and started pouring beer on him. This was cool not just because it was Scott Byerly and he was one of the judges of the event, but because he was one of the originators of The Carnival back in the late 90′s and won the first event. There was just a lot of history and emotion coming together in this one moment and I think it shows in the photo. I was stoked to be there for it and to see Parks’ comeback firsthand.
Mitch Langfield put this edit together after traveling around Europe with a gopro and a light. We went to Europe to film for a new full length Wake movie we are doing (more details to come on the movie when we get our shit together). Along the way we did some contests Fise, Wake the line and Wakestock. There were many good time had at these contest and Mitch filmed just a little bit of the Europe madness in this video. Sponsors don’t worry we have hardrives full of riding footage. We didn’t just party the whole tip but when we did shit got loose hahaha.